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Description: | This tune appears as 'Tolletts Ground' in Playford's 'The division violin' 1684 (PDV no.7). Confusingly Atkinson writes his strain numbers at the end of strains, Playford at the beginning. Part of Atkinson is not clearly legible, but it seems that he stays very close to the printed version. He has all Playford's 22 strains, and in the same sequence. Where there are discrepancies, it appears that while sometimes Atkinson has miscopied, sometimes he has in fact corrected Playford. Note that what Atkinson calls the 'Ground' is in fact strain 22 in Playford, whose own 'Ground basse', written on the bass clef, is clearly separated from the main tune. It seems very likely that this tune, given its length, would have circulated in written form, perhaps via intervening texts. Note that two pairs of strains are in 3/2 rather than 9/4 (Playford prints 6/4 rather than 3/2 the first time).This tune forms part of The Henry Atkinson manuscript, dated 1694/5. The book is one of the earliest fiddler's manuscripts to have survived, and certainly the oldest from North East England. The meticulous bowing indications make it fairly clear that this is indeed a fiddler's book. We can also be fairly certain that the book is infact from the North East as it contains a number of local tunes which are not recorded elsewhere till much later. In notes accompanying the manuscript, dated early to mid 19th century, Willam A. Chatto also informs us that 'Henry Atkinson ... was a native of the county of Northumberland, and lived in the neighbourhood of Hartburn', though he does not say where he got this information.The book has what appears to be the earliest known versions of 'Bobby Shaftoe' ('Brave Willy Forster'), 'Sir John Fenwick' ('The Flower of Yarraw') and 'Wylam Away' ('Gingling Geordy'), all of which have continued to be played by pipers and fiddlers in the region to the present day. Atkinson also has many tunes which feature in various editions of Playford's 'Dancing master' and some which feature in 'The division violin', though he rarely seems to have copied directly, which suggests that he recorded the music from aural circulation. There are also many Scottish tunes, and some rare early examples of pieces in Scordatura, where the fiddle is retuned to give a drone effect. Although some pieces are in idioms still familiar, many naturally have an antique flavour - jigs with 6-bar strains, triple-time hornpipes, syncopated Scots Measures, minuets and bourees.The book is written in and paginated from both ends. The first part begins on p.2 with 'Jock Carvatt', and the second on p.1 with 'Dear Jockey' and 'Chickens and Sparrow -Grass'. There is more than one hand at work in the manuscript. For the most part the tunes are neatly written and musically clear, but some need careful editing, a few prove unintelligible, and a significant number are untitled. Though some of the untitled tunes have already been matched with versions from other sources it is hoped that putting the collection onto the internet will enable more to be identified, as well as making this intriguing collection readily accessible. ; 17th century fiddlers tune book compiled by Henry Atkinson ; | Rights holder: | rights holder : Society of Antiquaries | Temporal: | start=1661;end=1700; | Source: | Folk Archive Resource North East | Identifier: | farne:R0103101 | Go to resource |
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