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Description: | ADMIRAL VERNON
A three-quarter-length portrait to right in a brown cloth coat and black full-bottomed wig. He holds a baton in his right hand, and stands against a background of rock. On the right there is a two-decker ship with a red ensign, a commissioning pendant and a blue flag at the fore. The portrait was painted initially when Vernon was a captain and altered after he was promoted Vice-Admiral of the Blue. This entailed the substitution of a baton for a telescope as well as the addition of a blue vice-admiral's flag in 1739, before he sailed for the West Indies.
As a lieutenant he had served in Sir Cloudisley Shovell's flagship at the Battle of Malaga, 1704, and at the taking of Barcelona in the following year. In 1722 Vernon was returned to Parliament where in the 1730s he was a powerful advocate for war with Spain. When the War of Jenkin's Ear against the Spanish broke out in 1739, he undertook to capture their base at Porto Bello, Panama 'with only six ships'. This he did in a famous landing against its Iron Castle since he Spaniards had neglected preparations for its defence. A subsequent assault in Catagena, Columbia, failed through poor collaboration with the army contingent. Later he commanded the fleet in the North Sea during the 1745 Jacobite Rebellion. Shortly afterwards he quarrelled with the Admiralty over some pamphlets of which he was the alleged author and his name was struck off the flag officers' list. Vernon is however best remembered because in 1740 he ordered his men's rum ration to be served diluted with water, for health reasons. This 'grog' - Vernon's nickname- rapidly became the standard way of serving the naval rum ration until it was abolished in 1970.
Philips was an extremely fashionable portrait painter, patronized by Frederick, Prince of Wales, and his circle of friends. He established a practice at Lincoln's Inn Fields. This portrait is signed 'C.Philips pinxit'.
A large painted inscription under the number 10 on the (red-painted) back of the canvas implies this portrait was offered, presumably in the 19th century, as a gift to a British monarch, but perhaps declined (?). An additional mystery is that the Greenwich Hospital Collection once held a Vernon portrait described as 'Half length, after Charles Phillips [sic] - Presented by his descendant George John, fifth Lord Vernon, in 1838' (Naval Gallery catalogue, 1922 ed. p.48). This is neither in the NMM or known residual GH holdings but it must have been another version or copy of the present portrait (the only one known by Philips). There is a further 50 x 40 version at Sudbury Hall, Derbyshire (National Trust), which was the home of George John, 5th Baron Vernon, who in 1838 also presented GH with a marble copy by John Francis of Rysbrack's bust of the Admiral (see SCU0056). [PvdM 3/12]
caption: Admiral Edward Vernon (1684-1757)
caption: Admiral Edward Vernon, 1684-1757
caption: Admiral Edward Vernon, 1684-1757 - Back Of Canvas | Publisher: | "http://collections.rmg.co.uk/" | Rights holder: | "Royal Museums Greenwich" | Subjects: | Vernon paintings Edward | Source: | Royal Museums Greenwich | Identifier: | http://collections.rmg.co.uk/collections... | Go to resource |
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